Unlike many well-known boy bands, S.O.5 was not put together
by producers or a talent agency. In fact, it was put together by the future
glue to the group TJ Kippen. Born in Panorama City on February 11, 2004 to
Irish-American lawyer Miles Kippen and Creole/French-Canadian professor Liberty
Lewis-Kippen, and raised in Lake Balboa, TJ is biracial. Remember this… because
it will be important later. MUCH… later…
And like many biracial actors/singers before him, including
the DeBarge family, Mariah Carey, Trinity Whiteside, Logic, Natasha Hamilton,
Cameron Boyce, and Matt Murray, TJ was more “white-passing” (he really hates
that phrase), meaning you couldn’t tell at first that he’s also Black. His hair
texture was thick straight-to-wavy, not curly. And before he was barely old
enough to go to school, he even faced taunts and ridicule from both sides of
his family because he was biracial. He always tried to fit in with his Black
relatives; tried so hard to “look Black, talk Black, be accepted Black.”
“There’s no way you’re Black, you don’t look it.” Like, he literally grew up
with Black music and went to an all-Black church (Rock of the Valley), for
crying out loud! And the White side of his family was no different, with many
of them not wanting to acknowledge him because they could tell that he was (in
the words of an adult cousin) a mutt. He couldn’t help looking the way that he
did. It was bad enough that strangers and peers were somehow bothered by his
features, but it was annoying and hurtful that even relatives would throw it in
his face that he wasn’t full-Black or full-White. But really, who is
full-anything in North America? And if anyone from his church had any thoughts
about his race, they kept it to themselves, like typical church goers.
Yet, despite that unwanted attention over his mixed race, no
matter how much somebody made him cry, they couldn’t make him ashamed of his
mixed race, even at a VERY young age. And his parents always assured him there
was nothing wrong with how he looked or spoke. At Stagg Street Elementary
School, he didn’t know if anybody else was mixed; it’s not something that you
ask a random student or staff member. So, if there were any mixed-raced
classmates, he didn’t know because growing up, a lot of mixed-raced kids are
often told to just say that they are one or the other, based on their strongest
features. TJ’s parents didn’t do that to him (despite the fact that he did
indeed have stronger White features); they wanted him to be true to himself,
even if that meant filling in the bubbles next to answers
“Black/African-American,” “White”, and “Mixed,” respectively, in his emergency
cards at school.
But sooner or later, by the time TJ was five years old, he
would accidentally find his safe space through music, movies, TV, and theatre,
develop a talent in rapping, dancing, and singing, and have an interest in
performing and entertaining. He also became quite the class clown. And he fell
in love Karate, which he voluntarily started learning at age 4, and became very
helpful for him when it came to self-defense, even to this day.
His musical influences are truly impressive: The Black Eyed
Peas, A Tribe Called Quest, Michael Jackson, Janet Jackson, TLC (especially
T-Boz and Left Eye), Yelawolf, Logic, Corbin Bleu, Britney Spears, Rihanna, O-Town,
Tokio Hotel, Billy Porter, Ricky Martin, Guy Sebastian, Justin Bieber, and Tiziano
Ferro, to name a few.
Growing up in the San Fernando Valley, TJ was already a
local performer in school plays and local talent shows, doing almost anything
under the sun, from rapping, to dancing, to singing, to making music, to
writing songs and poetry in a diary (yes, he said “diary,” not “journal”), to
puppetry, to acting in commercials, and even making time to earn a black belt
by the time he was 9 years old. Jesus… He was a very busy kid and had the
confidence and flamboyance that made people young and old either love him or
hate him, and even question him, if you catch my drift. And at the time, he
thought nothing of it because he was used to the feedback and was just and
being himself: a funny and carefree kid with a diary, a black belt, and a love
for the arts.
TJ met Wally Brodski - a fellow Lake Balboa-raised kid who
was also bitten by the art bug - in the first grade at Stagg Street Elementary
School, and instantly clicked, as if they had known each other since they were
in diapers. TJ’s over the top personality and Wally’s more cool and laid-back
presence only made their bond stronger (still to this day). And for whatever
reason, each one made it easy for the other to just be himself in a way that
little kids couldn't describe it. And as lifelong fans of PBS, their favorite
cartoon from the PBS Kids brand is 2000's "Clifford the Big Red Dog,"
a show that literally teaches kids to never judge a book by its cover.
Let’s rewind a bit talk about Wally before he met TJ, shall
we? Wally was born in Northridge on May 16, 2004, and is African-American with
roots going back to West Africa (Ghana/Ivory Coast/Nigeria). And his parents
Wendy Brodski and William Brodski noticed Wally’s love for singing when he was
a babbling baby singing along to Xscape’s cover of The Jones Girls’ “Who Can I
Run To?” They still remember it as being the cutest thing they had ever heard.
He never stopped singing after that. He eventually started rapping as well at
age 5, after seeing a music video for Jacob Latimore’s “Like ‘Em All (featuring
Diggy Simmons)” on Disney Channel. That’s how he developed a smooth-talking
style of rapping.
But what’s hilarious - and more importantly, refreshing -
about Wally’s early awareness of pop and R&B music is that he grew up
annoyed at how so many singers unnecessarily showboat just to prove that they
can sing. It got to a point where if he ever watched an undiscovered talent or
an established recording artist perform the national anthem, or saw/heard an
audition that required singing, he would dread it almost immediately because he
knew that the singer would try to do those vocal acrobats. This hot take of his
was never a secret and would earn him a mixed reception, specifically from
R&B fans, even when he was still a child.
So, whenever he would sing a cover of a pop/R&B song at
a talent show or audition, he kept the ad-libs and riffs to a minimum on
purpose, and still managed to keep people’s attention. His main inspiration
behind this technique was Elizabeth Wolfgramm, the lead singer of The Jets who
never overdid it and still managed to keep audiences engaged.
In addition to The Jets, Jacob Latimore, and Diggy Simmons,
other influences of Wally’s include Aaron Fresh, Mindless Behavior, Jesse
McCartney, Mary J Blige, P!nk, Allstar Weekend, Lloyd, Lil’ Romeo, and B5,
among so much more!
Okay, back to the story. Wally was also active in the world
of talent shows and stage plays, and sometimes the two would star in the same
commercials or sing/rap together as a duo, which could explain why by the age
of 9 when they started the fourth grade, neither felt ready to pursue a solo
singing career, whether or not they would do anything else together.
In the beginning of their 4th grade year, Wally
and TJ met the Puerto Rican born Oscar Nero, who didn’t have the most positive
experiences as a singer, dancer, actor, or person. Born in San Juan on July 24,
2004, Oscar Nero is of Afro-Puerto Rican descent. Fluent in both Spanish and
English, Oscar was already an adoptee. He always knew that he was adopted, and
he knew about his birth parents at a very young age, because his foster parents
Trina and Alonso Nero (also Afro-Puerto Rican themselves) wanted to be honest
with him and let him know exactly where he came from.
His birth parents were teenagers when they had him, with his
birth mother Joseline Melendez being 15 and the biological father Ricky Morales
being 16. Trina and Alonso were 26 and 27, respectively, when they adopted
Oscar in 2004 shortly after his birth, so they already knew who his bio parents
were, and even asked if they wanted to keep in touch to see how Oscar was doing
(they basically wanted Oscar to know where he came from). Of course, the birth
parents said no, but their respective parents (behind Joseline and Ricky's
backs) agreed to stay in touch with Trina and Alonso, knowing that the two
foster parents were going to be great parents for baby Oscar, and promised that
if he ever wanted to know about his birth parents, the door would always be
open.
Trina couldn't physically have kids herself, and thought
that would be enough for her husband Alonso to leave her. But with or without a
child, Alonso could not imagine a life without her, saying, "If you and I
ever want kids, there's always room for adoption." Eventually, that led to
them legally adopting Oscar. To both of them – and even to Oscar himself – it
was always meant to be.
But as Oscar's birth parents put it, when he finally got to
meet them when he was 9, it was just a hookup, he was an accident, it shouldn’t
have happened, and neither wanted to keep him. Little Oscar’s heart dropped
when they gave him that revelation. He was so embarrassed and heartbroken that
he was lost on what to say after that. He hadn’t seen or heard from his birth
parents since, but still keeps in touch with his biological grandparents, who
he has a great relationship with to this day. His foster parents felt
responsible for his devastation, because they didn’t want to keep his
background a secret from him. But he assured them he didn’t blame them. “I
wanted to know for myself, and now I know.” Outside his foster parents and
extended bio/foster family, he never connected with anyone (staff or student)
at school until he moved to Lake Balboa and met Wally and TJ at the beginning
of the fourth grade. As they got to know each other, he told them about his
story as an adoptee, and they eventually became his safe space and eventually a
second family for him.
Oscar already had the early “signs” (for a lack of better
term) that he might be gay. One time, in the third grade (while still living in
San Juan), 8-year-old Oscar absent-mindedly stared at a male fifth grader’s
bare chest during a basketball game at PE class, and when another male student
noticed, that student laughed at him and said, “¿Qué estás mirando, maricón (in
English, that translates to: What are you lookin’ at, fag)?” which caught Oscar
off-guard, so much so, that he ran away from the area. Kids were already
gossiping about Oscar because he was reserved, boring (in their opinion), and
polite, and didn’t say too much until he had to or felt like it. Even
homophobic and sexist faculty members joked about it. It was so bad for Oscar
that he made it point to stay as invisible as he possibly could. He would
realize years later that isolating yourself doesn’t solve anything. But at the
time, when his foster parents told him that they were moving to Lake Balboa,
Los Angeles (where he would attend Stagg Street Elementary School with TJ and
Wally), Oscar was more than happy to leave Puerto Rico and start fresh in
California.
His two new friends Wally and TJ always made him feel
welcome, though Oscar never talked about the possibility that he could be gay,
or the kids back in Puerto Rico spreading rumors about him being gay (and TJ
and Wally were never even aware of their own sexualities at the time, so they
had nothing to bring up as well). He wasn’t ready to talk to anyone about that,
not even to his foster parents. Although he did accidentally overhear his
foster parents randomly talking in the middle of the night about the kids and
adults back in San Juan gossiping about Oscar prior to their move, worrying if
that's why he didn’t talk to a lot of other kids before moving to California.
They agreed that they wouldn’t force Oscar to open up about anything that he
may not feel ready to open up about, and that they will always love him for who
he is, not in spite of who he is. That moment gave him some hope, but it would
be many years – following a mistake he makes in high school – before he finally
realized that his foster parents meant what they said.
On the performance and entertainment side, Oscar didn’t have
as much experience as Wally and TJ, but loved to sing, dance, and act. Musically,
his influences were Menudo, Marc Anthony, Mario, Usher, Richard Lugo, Shakira,
Lady Gaga, Shawn Mendes, Shawn Desman, Blake McGrath, 3T, Patra, The Fugees,
Shontelle, Billy Crawford, and Craig David.
While still living in Puerto Rico, he always auditioned for
a variety of shows/movies/talent shows but always got rejected once people
realized that he was Afro-Latino. For most people, it wasn’t that easy to tell,
but he never denied it or hid it. And as a result, he never once tried
auditioning for anything created by the Mexican-based Televisa. It was
disheartening for his foster parents who always encouraged him to not give up,
but he was tired of always being shown the door, especially during an era where
Afro-Latino actors, rappers and singers were still forced to just play the
generic roles of typical African-Americans. Plus, the most common feedback he
would get was, “Decent singing voice, but definitely attractive for the ladies,
so who cares?” He didn’t want to be remembered for his looks, he wanted to be
known for his talent. It was getting to the point where he didn’t think he was
the right fit for entertainment.
So, when he moved to Lake Balboa, he mostly focused on
school and just being a kid, and didn’t really want to risk rejection again, so
he never auditioned for anything in Los Angeles, *at first*. However, it was
clear to even his foster parents, Wally, and TJ that he missed it. The two
friends knew about his situation as an Afro-Latino in Puerto Rico, and agreed
that he should try again when he was ready, even if he had to be more assertive.
Until then, he really looked up to both of them and admired TJ’s triple-threat
energy and Wally’s artistry. If nothing else, Oscar felt more at home with his
two new friends.
And after Wally won a talent competition that earned him a
spot in a boy band being put together – quickly known as G-Heartbreak (what a
horrible name) – TJ (after congratulating Wally) instantly had a secret
lightbulb moment: “Wait, that’s it! A boy band.” And both TJ and Oscar would
follow and support Wally on his journey as a G-Heartbreak member.
Little did TJ and Oscar realize - at first - what kind of
experience G-Heartbreak would turn out to be for Wally.
G-Heartbreak was quintet created in 2014 by small-time
talent manager Tyler Kash who was looking to cash in (get it?) on the 2010s boy
band resurgence that gave us Mindless Behavior, Big Time Rush, The Wanted, and
especially One Direction. The group consisted of Jackson O’Brien (13), Kevin
Peterson (11), Wally himself (10), Reed McPhearson (12), and Cameron Webber
(12). G-Heartbreak was a predominantly white group, with only one exception:
Wally, the only Black member and the youngest to join. This immediately created
friction — not because of Wally, but because of the other boys’ immaturity,
insecurity, and the adults around the group.
Behind the scenes, G-Heartbreak was disorganized, poorly
managed, undisciplined, petty, mean-spirited, racist, racially insensitive, and
motivated by ego not teamwork. The kids mimicked the toxic adults surrounding
them. And Wally, slowly but surely, became the main target. He came into the
group being the most talented, the most professional, the most disciplined, the
most educated, the most experienced as a performer, and (to the group’s
earliest fanbase) the nicest, funniest and most relatable. Even the early fans
said (as a compliment) that he was the only one that truly was an artist, and
visually the most distinctive because everyone else who was White (and
blonde-ish) was very arrogant, bland, looked too much alike and were just not
very good at singing. Heck, even TJ and Oscar couldn’t you a positive thing
about the other members. Oscar was personally over the “traditional white boy
band” thing, and agreed with TJ and the fans that Wally was easily the best
thing to happen to that horrible group, not the other way around.
The G-Heartbreak bandmates mocked Wally’s hair, his voice,
his style, his mannerisms, his dancing, and his skin tone. They mocked him for
being “too loud,” then mocked him for being “too quiet.” Tyler Kash gaslit him,
saying, “You have to toughen up. This is just how boy bands work.” That was a
lie; it was abuse. And after five months, Wally was not having it anymore.
One early afternoon, Wally had just finished rehearsal for a
mall tour in Encino. He was alone in a food court and seemed really sad,
looking like he had been crying, at least from the perspective of another
fourth grader who accidentally spotted him. Enter the fourth grader Cyrus
Farber, who debated whether or not it was a bad time to approach him. But he
quickly built enough courage to do so, introduce himself, and let Wally know
that he sounded really great during the soundcheck. He also mentioned that he
had seen Wally and TJ’s performances and was a fan of theirs. Wally – who was a
little timid – smiled at Cyrus’ feedback, and appreciated, and softly thanked
Cyrus. When Wally asked Cyrus if he was a singer, too, Cyrus said, "Yes,
but my parents won’t let me pursue a singing career, or even perform at a
talent show. They want me to pursue sports, which I really don’t wanna do, you
know?”
Let’s rewind all the way back and discuss Cyrus Farber. He
was born on January 12, 2004 to Jewish parents Tobias Farber and Jane Farber in
Woodland Hills, and raised in the gated communities of Encino. They were Jewish
by ethnicity and religion. But even without fully understanding why, Cyrus
couldn’t feel less attached to the religion (and he would end up outgrowing the
religion much later in life). Either way, he was raised in a strict religious
and conservative upbringing, and his parents were already pushing him to do
things that typical “normal boys” should be doing, in their opinion.
Cyrus attended Lanai Road Elementary School. And by the time
he was in the second grade, he was already playing basketball. And although he
was great at the sport (still is to this day), and even the best on his local
team, winning several trophies, it wasn’t his passion. His passion was singing
and dancing. In fact, a lot of his favorite music came from Black music
artists, ranging from R&B, to hip hop, to Gospel, to rock, to neo-soul (the
latter of which he was least familiar with by name, but accidentally discovered
it via Maxwell, D'Angelo, and Kina Cosper (a former member of Brownstone)). He
also loved writing and drawing. And by the time he had reached the end of the
second grade, he was reading about astronomy and geography.
Also, by that time, Cyrus often heard kids make fun of other
kids who may or may not be gay. Cyrus was taught that homosexuality was sinful,
and men and women are each supposed to behave a certain way. Each gender had a
specific gender role that they had to play, and Cyrus didn’t… really feel that
way. He didn’t know why, but he always got offended and heated whenever someone
at home, church or school would comment negatively on homosexuality, and often
wondered, “Is it really a sin?” Even his own father complained about television
and film "pushing the gay agenda."
Speaking of which, Cyrus’s parents did not like the fact
that he was spending more time singing and dancing (doing anything art-related
basically), and less time playing sports. He never wanted to disappoint his
parents, especially his dad. Tobias was VERY tough and abrasive, had a VERY
firm hand, and was VERY critical of Cyrus’s behavior, choices and personal
interests. He always put Cyrus down for any little mistake that was made
(sometimes physically), and had an "I'm right, you're wrong, end of
story" attitude towards Cyrus, which would make it difficult for Cyrus to
communicate with him, the older he got. But Cyrus didn’t want to play sports
full-time anymore. He wanted to sing and dance.
Cyrus was often told to stop being so soft. But unlike
Wally, Cyrus (due to his conservative upbringing) gave in, ultimately
believing, “I must be perfect to be worthy.” So, whenever someone (even
unintentionally) made him feel unseen, he reacted with defensiveness, frustration,
urgency, loudness, fear, depression, and anger. Interestingly enough, Cyrus
might have suppressed his depression and anger (sometimes), but he was far from
a shy person.
There was one family member who saw through Cyrus’ passion
and struggles, and that was his uncle Jake Farber, a music teacher the younger
brother of Tobias in his early 30s. Jake was always liberal and a parental
figure for Cyrus in a way that made Cyrus feel safe and seen. Jake also saw
musical potential in Cyrus. He knew that Cyrus was very attracted to rhythm,
drumming anything from a table - until his father ordered him harshly to stop
doing that - to his stomach, knees and thighs, until Uncle Jake gave him his
first set of drums and bongos. Even when Cyrus was playing basketball, music
was all he could think of, and by the time he was 8, he developed a personal
taste in artists like the Bee Gees, Earth Wind & Fire, the Isley Brothers,
Kina Cosper, Eternal, Toni Braxton, Keyshia Cole, B5, Luther Vandross, New
Edition, Tonex, Phyllis Hyman, Teena Marie, Jon B, Guy Sebastain, Gorillaz, the
list goes on. And going to a public elementary school allowed Cyrus to be
exposed to R&B, rock, and pop, something that his parents don’t listen to.
And he even got to join a Gospel choir in his elementary school, which bothered
his parents because he’s Jewish. Regardless, it was through his time in the
choir, that he learned how to properly sing. And Uncle Jake knew that Cyrus’
true calling was not sports, no matter how great an athlete Cyrus was and still
is.
As for his singing, he was a powerful, dark and edgy singer.
His falsetto was never strong, which didn’t matter to him anyway, so it didn’t
bother him. When he was using his head voice, he was conveying emotions, and
sometimes his most powerful moments sounded like shouting (think Johnny Gill,
Jennifer Hudson, or Tyler Joseph from Twenty One Pilots), which could have led
to the future popular opinion that he was doing too much. But when he would use
his chest voice, his vocals were more restrained, soulful, and comfortable (not
to mention a little sassier), which he inherited from learning how to properly
sing while in the Gospel choir. Luckily around his time in the choir, Cyrus
would find a vocal balance that has ultimately saved him from having a drastically
different/weaker voice in the future.
So even without any experience in the entertainment/music
industry, he was just as busy as Wally and TJ. Which takes us back to the day
Cyrus met Wally for the first time. As an everyday kid, Cyrus never had a true
group of friends until 2014, when he accidentally spotted a sad Wally who had
just finished rehearsal for a mall tour in Encino, and the two instantly
clicked. It was a very lovely conversation between the two, so much so that
they lost track of time. Luckily, it was certainly not the last they had seen
of or heard from each other, as they remained in touch immediately after that
first meeting.
Two weeks later, during vocal rehearsal, an argument
escalated into a full-on confrontation. 13-year-old groupmate Jackson told
Wally he was “lucky to even be a group.” After that, Wally walked out and never
came back. He stopped communicating with the boys and their management. This
was a major blow for G-Heartbreak as they had to do a school tour in just two
more days, and now they just had to figure it out themselves without Wally’s
influence or undisputed talent. They did carry on for three more months, but
fans who wanted to see Wally (aka the ONLY reason fans, and future S.O.5
members gave G-Heartbreak a chance) had tuned out once Wally immediately put
the rest of the group and their management on blast just hours after quitting.
How many 10-year-olds were this open and honest about industry abuse and drama
within a singing group? Oscar was more scared than ever to try again as a
performer himself after learning the truth about Wally’s experience. But you
can imagine Cyrus’ immediate vocal support after Wally revealed everything
about G-Heartbreak via social media.
And news of Wally’s exit and why he left became the talk of
the school hallways. Practically every elementary/junior high kid in the San
Fernando Valley was aware of this, and an Anatola Elementary student named Marcel
Ortiz – who had followed the group mainly for Wally – was in shock that Wally
was really treated this unfairly; not just by other kids, but by adults as
well. He didn’t even know Wally (or any of Wally’s four friends), and still
found his tragic story to be relatable in so many ways. More on Marcel later.
So, G-Heartbreak was over, after just eight months together.
And while it didn’t take long for Wally to start fresh in his career, the
others – Jackson, Kevin, Reed, and Cameron – have since kept a low profile
following the backlash they received from Wally’s accusations, which the
majority of fans believed, as they did notice some awkward tension and how
Wally was treated compared to the others. Hell, even Tyler Kash has pretty much
disappeared after fans called him out for his mistreatment towards Wally, as
well as his response to Wally’s accusation – calling Wally ungrateful, a royal
pain in the ass, and difficult to work with. Racial subtext? Uh, yeah. And even
TJ thinks so.
In fact, TJ – who personally wouldn’t have lasted in that
group despite being “white-passing” – had noticed G-Heartbreak’s dynamic when
attending one of their mall tours. And when Wally told him what was going on
(days before quitting the group), it all made sense to TJ.
Wally’s parents and TJ’s parents were absolutely disgusted
when they found out about what happened and made sure that Wally’s five former
groupmates and their manager Tyler Kash never worked in the industry ever
again, hence why you never hear from the G-Heartbreak members or their
management again.
This unfortunate era for Wally didn’t stop Wally or TJ from persuading
Oscar to give his own career aspirations another shot. Slowly but surely, after
a much-needed push from his family and two best friends, Oscar managed to book
his first acting role in an episode of NCIS Los Angeles where he did get to
speak Bilingual, played a singing role on an episode of East Los High (which
allowed him to play a Puerto Rican kid, instead of a Mexican kid), and did a
couple of commercials for Chuck E Cheese and Universal Studios Hollywood. However,
he was still not ready to take a chance with Televisa (“Uh-uh.”) given their
history with racism and colorism amongst the non-Eurocentric performers, but he
didn’t completely rule it out this time.
By the time Wally was done with G-Heartbreak, TJ had already
come up with a potential name for a group that he initially treated as just an
idea: "Space Otters Five". The name was just a random collection of
words put together, because he liked science fiction, thought otters were cute,
and joked to himself that 5 would be the magic number for a boyband, not that
he was trying to be traditional. But he also shortened the name to S.O.5
because according to him, it was less of a mouthful and didn’t sound as
childish. Plus, "S.O.5" looked like “SOS”, as if somebody was sending
him an SOS for a safe space. And that “somebody” in this case could have been
Wally, who needed to get out of G-Heartbreak as soon as possible. And with the
help from TJ’s parents – his dad Miles Kippen being a lawyer – TJ was able to
trademark the names "S.O.5" and “Space Otters Five” just in case. And
any future member would also have equal legal rights to the name and the future
music as well, not their future management or future record label. But TJ would
keep the S.O.5 concept a secret until further notice.
In the meantime, during the 5th grade, Wally introduced TJ
and Oscar to Cyrus who came to Wally’s house that day (still in his basketball
uniform, after finishing practice), and all four of them clicked instantly.
Cyrus told them about himself, his family, and his love of singing and dancing,
and they were just impressed by Cyrus’ passion for music – and even blown away
by Cyrus’ singing voice – to the point where all four of them (yes, including
Cyrus himself) forgot that he was a full-time athlete and not pursuing a
singing/musical career. They even loved his raw acapella cover of Eternal’s
version of “Amazing Grace.” What a fantastic voice.
He didn’t really go into too much detail about his
relationship with his parents because he didn't want to overwhelm them. But the
others could tell that he was embarrassed (and even a little scared) to talk
about them, so they didn’t push for clarity. But Cyrus did say that they were
pretty strict and conservative, and don’t really believe in his potential.
He related to Oscar over their reluctance, Wally over
feeling like you have to toughen up, and TJ over how whiteness could clash with
their love of Black music.
It was also noticeable that he had more positive energy when
he would talk about his Uncle Jake, implying (at least to his 3 new friends)
that Cyrus doesn’t really get along with his parents at all.
Unsurprisingly, his parents don’t like Wally, Oscar, or
especially TJ, the latter of whom Tobias quietly described as fruity during a
"private" conversation with Jane, thinking that Cyrus didn't hear
him.
But Uncle Jake knew instantly that Wally, Oscar, and TJ were
the best people to ever enter Cyrus’s life, as he has never seen Cyrus so happy
to be around kids his age until he met his 3 new friends. They didn't even have
to attend the same elementary school.
After enough time had passed, and school was finally out for
the summer vacation 2015 after completing the fifth grade and graduating from
Stagg, TJ approached Wally, saying that he had an idea of starting a boy band
from scratch, and told him about the S.O.5 concept. TJ wanted to form a group
with boys he loved, boys he trusted, boys who wouldn’t tear each other down,
boys who wanted to sing about real things, not just fake-girlfriend fantasies.
And he asked Wally if he would like to join the group. Wally thought the idea
sounded great, but was torn about joining, not wanting to go through what he
went through with G-Heartbreak. His time in G-Heartbreak broke something in him
— not his confidence, but his trust in the industry and in other kids. And TJ’s
response was the promise that shaped the next decade: “It won’t be like that
this time. I swear. Not with me or anyone else.”
After Wally eventually said yes, he and TJ both approached
Oscar about it, with TJ explaining the whole idea behind it. Because Oscar
trusted them and already looked up to them as his biggest inspirations
personally, professionally, and artistically, it was easy for him to
immediately say, “Yes, yes, a thousand times yes!” And just like with Wally,
Oscar didn’t even have to audition. The boys heard him sing plenty of times and
love the way he dances, and saw him as an equal in their dynamic, which made it
that much easier to approach Oscar about it. And his foster parents were
especially happy that his two best friends from school were giving him an
opportunity to express himself in a way that perhaps certain managements
wouldn’t have allowed him to do.
And during their summer vacation, Cyrus would see the other
three again during their new student orientation for incoming 6th graders at
William Mulholland Middle School, and after the orientation was over, the three
friends approached Cyrus about maybe joining S.O.5. Cyrus found the concept
very interesting and unique. He immediately said yes, ultimately shifting his
focus away from basketball, which he was thankful for, and his parents were
very upset about. More importantly, Cyrus didn’t know it yet, but S.O.5 would
save his life, not once but plenty of times, later in life.
Fast forward to the sixth grade in Fall 2015. Oscar met his
Math classmate Marcel Ortiz on the second day of school. And Oscar seemed like
a really sweet and down-to-earth person, which was very refreshing for Marcel,
who - because of his history of being bullied - was hesitant to be close with
anyone. So, naturally, he did not mention to Oscar that he can sing. Marcel had
seen Oscar hang out with Wally, Cyrus, and TJ a few times, and was actually
starstruck when he saw Wally at the 6th grade new student orientation during
the summer.
A couple of weeks later, after school, Marcel was in the
school’s empty basketball gym singing to himself to avoid any unwanted
attention or judgment. He was absent-mindedly singing Whitney Houston’s
"You'll Never Stand Alone" (a song that meant so much to him). He
thought he was alone because it had been over an hour since anyone was inside
the gym, until he noticed Oscar walking in. He felt so embarrassed that he was
about to leave the gym, but Oscar pleaded with him to stay, saying that he had
a really lovely voice.
Now let’s go back to Marcel’s history to understand why it
seems like Marcel has been keeping his singing abilities a secret. Known to use
his head voice quite often towards the end of a bridge before ad-libbing with
both his head and chest voice, our classically trained singer Marcel Ortiz was
born and raised in Lake Balboa to Mexican-American parents Jesuso Ortiz and
Emmy Serratos-Ortiz on August 26, 2004. And while most babies and toddlers get
very fussy and throw tantrums when they don’t get their way, Marcel was the
total opposite. He was very quiet, reserved, and shy, and if he didn’t get his
way, he didn’t argue or ask why; he just simply said, “Okay,” and moved on.
But one way that he was able to express himself was through
his growing appreciation of classical music, musical theatre, pop/R&B/rock
balladry, Gospel, and even soap operas/telenovelas.
He found his voice through vocal powerhouses like Kina
Cosper, Luther Vandross, Celine Dion, Cristian Castro, Jade Ewen, Audra
McDonald, Adele, Whitney Houston, Il Volo, Yolanda Adams, Mariah Carey, Josh
Groban, and David Archuleta. And with enough vocal training, his voice became
one of the strongest and most powerful, by the time he was six years old.
SIX. YEARS. OLD!
It’s actually amazing to know how far he’s come since he
started singing. There’s a video footage from his parents of him singing Celine
Dion’s “My Heart Will Go On” when he was only three years old. Marcel doesn’t
like watching that because he was very off-key and pitchy. But his parents
think it’s the most adorable thing ever. Besides, even the best singers in the
world start off shaky.
His introduction into musical theatre was Audra McDonald,
not via a theatre production, but through a film adaptation of the stage play
“A Raisin in the Sun” in 2008. Her performance as an actress stood out to him
the most, and online research led to Marcel realizing that Audra not only used
to also be in the theatre version of “A Raisin in the Sun,” but is also a
singer herself. And to this day, Marcel credits Audra for introducing him to
Broadway.
During Marcel’s third grade year, his very first performance
happened in a school talent show held in his elementary school Anatola
Elementary School, where he got to sing “You’ll Never Stand Alone” by Whitney
Houston, which received a standing ovation from adults (remember this) and earned
him a first-place trophy, to his shock. He almost didn’t show up on-stage
because he was deathly afraid to perform. Marcel needed the push from Jesuso,
literally, as he was backstage with him, while Emmy was in the back audience
taping his performance up-close (Marcel is prouder to watch that footage). He
chose the song because it wasn’t a single, nor was it a well-known song, and he
didn’t want to sing the same pop ballads that most would expect contestants to
sing. So, no "Greatest Love of All" or "I Will Always Love
You." And honestly? He made the right call. That song would end up being
the soundtrack to his life and the lives of his four future best friends.
Unfortunately, because of his shyness and refusal to argue,
he gained a reputation of being a pushover, which made him an easy target for
bullying and seemingly incapable of standing up for himself. Marcel would
constantly get mocked for being “too sensitive” or "too soft" with
many blaming it on him being Mexican. He would even have relatives (around his
parents’ age or much older) who are also Mexican complain about him looking
ugly, unattractive, annoying, girly, curly-haired, and nerdy, and always
tucking in his shirt even on very hot days.
He didn’t talk to his parents about anything negative going
on in his life, because he was starting to believe that he was indeed annoying,
and always felt like he was complaining too much or that he should just ignore
it and move on, like he normally would. But make no mistake, by the end of his
elementary school days, there were times when he would come home from school
and walk to his bedroom, crying himself to sleep. He’d tell his parents that
everything was fine, but they always felt like something was wrong.
One of those things was the backlash he received from
schoolmates after his talent show performance. Although parents and staff
members were blown away by Marcel’s singing voice, his manners and his youthful
maturity (all of which earned him the “old soul” compliment), Marcel would
often hear from classmates about how loud, irritating and “gay” his singing
voice was. One female classmate (who would pass away in 2017 at age 13, may she
rest in Hell) even said to him, "I liked you better when you were
quiet." This really broke him as he loved to sing. And even his parents
noticed that he had stopped singing by the fourth grade. He never told them
what students thought of him, out of the fear that they would accuse him of
being gay. They never said anything that implied that they may be homophobic,
but Marcel was not taking that chance. So, he kept quiet, as always. And then
came the news about Wally’s exit from G-Heartbreak.
Which takes us back to the basketball gym in the Fall of
2015. By this time, Marcel had started singing again, but only to himself
whenever he was alone, to avoid any unwanted attention or judgment. So, for
Oscar to praise Marcel's singing voice, it was shocking for Marcel because no
kid before Oscar had anything nice to say about his voice. At this point,
Marcel decided to tell Oscar about his journey as a singer, and his influences,
as well as why he hadn't been singing for a couple of years. And Oscar tells
him about a group that he's a part of called S.O.5 with Wally, Cyrus, and TJ,
thinking that Marcel would be a good fit after meeting them.
He decided to give it a shot, but secretly hated the idea of
being the new guy. He wondered, "Are they going to like me? What if I'm
not the right singer for their group? What if I'm too boring?"
And when he finally met them at lunch, he told them about
his background as a singer, and why he hadn't been singing consistently. They
could tell from his tone that he was really nervous to speak to them, and a
little shy, but knew that there was something special about him. And one Friday
afternoon after school in the Lake Balboa park, when he sang "You'll Never
Stand Alone" to them, they were all blown away, with Wally saying that he
had chills and was almost in tears.
The timid Marcel asked, "Really? Does that mean you
liked it?" And Wally said, "I love it!" Luckily for Wally,
Marcel's powerful theatricality is one of the best and most controlled he's
ever heard.
The rest of the friend group agreed, and Marcel was
emotional and happy. Of course, since he was now stepping into not just a
singing group, an established friend group, he knew that he would need some
time to get to know everyone together and individually, which he did.
They understood that he had no experience as a dancer but is
a fast learner. And Marcel was just happy that these 4 guys actually liked him,
and were welcoming him into their world. And today, the others agree that he's
the special gift that was missing in S.O.5.
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